For more than a century, there have been movies, and people paid to review them. The first film critic, W.G. Faulkner, began churning out weekly reviews in January 1912 . Since then, movie criticism has retained countless core consistencies while evolving to keep pace with the medium itself. During this time, the two respective arenas have developed what some might call a symbiotic relationship. Movies often, but not always, depend on solid reviews to succeed, and movie critics rely on the emergence of new films to keep their jobs. Furthermore, there have been periods of history during which the exchange of ideas between critics and artists have spawned new conventions or artistic movements. For example, the French film magazine, Cahiers du Cinéma—where both François Truffaut and Jean-Luc Godard worked as writers—played a vital role in the creation of French New Wave Cinema, which subsequently influenced a legion of auteurs. Meanwhile, there have also emerged a handful of famous critics over the decades, including Pauline Kael and Roger Ebert, whose unique interpretations of classic films have occasionally been heralded as works of art unto themselves. Opinions are everywhere nowadays, but film critics still hold a certain amount of sway over how… Read full this story
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